In 2008 Judith Clute collaborated with Henry Wessells’ Temporary Culture limited press publication by designing and printing all the limited etchings in Forever Peace. To Stop War.
The above is the colophon page. And below is the cover, 390 x 290 mm. Each copy differed because each was hand made by Henry Wessells.
A variant on one of these etchings is below.
Planted v1 2017 plate size …. 152 x 138 mm
In 2013, more original etchings for “Against the Art of War”, poems by Ernest Hilbert and Henry Wessells. The size s 265 x 190 mm. Yet again Henry Wessells made each cover slightly differently.
Below is a variant on one of the images in this book.
Anteus v1 2015 plate size …. 150 x 95 mm.
In 2015, Judith Clute made etchings for “Extended Range; Or, the Accession Label” a short story by Henry Wessells. Frontispiece here:
At the end, another image. The book is 132 x 380 mm.
The colophon page with Wessell’s imprint:
These books have sold out and purchasers include Pierpont Morgan Library and Museum, Duke University and Yale University.
Also as Henry Wessells said in his colophon page of Forever Peace: To Stop War, he was making a photocopy edition – it was a huge edition – to “be distributed to members of the US Senate and House of Representatives and of the House of Commons in November 2008”. And inside this he added “and world wide to promote peace.”
Chip Crockett’s Christmas Carol .. by Elizabeth Hand .. Beccon Publications 2006. Judith Clute did the cover and interior illustrations. One of the zinc plates became changed with one part being scraped out and a frog etched instead. It is hand painted throughout the edition of 9.
Breathers 2016 plate size …. 180 x 110 mm
Interzone: Science Fiction and Fantasy, no. 42 1990 Cover and inside images done by Judith Clute.
New Worlds Nine 1975 image for Joanna Russ’s “Daddy’s Girl”